6x04 - Let's Talk About Mrs. (W)Right

[Prue Brianna Johnna Halliwell]

DESTINED

SEASON 6, EPISODE 4

'LET'S TALK ABOUT MRS. (W)RIGHT'

TEASER

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - NIGHT

AERIAL FOOTAGE all over the city.

CUT TO:

INT. MELINOE’S PENTHOUSE - BEDROOM - NIGHT

ON A MAN - He puts on a robe.

Ithuriel turns around as he ties the robe belt. BEAT. Melinoe is on the bed covered only with the sheets. She stares at him.

ITHURIEL

So, let me get this straight. After the Seer was vanquished, the fetus fled to another womb.

Melinoe nods. Ithuriel sits down on the bed.

ITHURIEL (CONT’D)

And it chose you?

Melinoe shrugs.

MELINOE

Why not? The strongest being in the Universe.

Ithuriel smiles sarcastic.

ITHURIEL

Darling. You are one of the strongest beings on Earth. I give you that.

Melinoe grimaces.

MELINOE

I miss those times when you used to compliment me.

ITHURIEL

Sure, darling. We had just married.

(pauses)

So, you bound his powers?

MELINOE

Right when he was born.

ITHURIEL

Why now? I mean, you raised him without revealing who he really was, and now, you just let the bomb explode.

MELINOE

(serious)

I had lost my hopes of getting Inferno back. But then I found Jared.

ITHURIEL

(astonished)

Jared? That bloody avatar former demon?

MELINOE

Yes.

ITHURIEL

You’ve topped yourself, darling. An avatar?

MELINOE

He was planning to take the Warrens’ powers by raising a Warren descendant.

ITHURIEL

He was plotting against the bloody Warrens. He could never win. What universe have you been living for the past century?

MELINOE

Why are you defending them?

ITHURIEL

Because I’ve known their story. I’ve lived up here for their whole existence.

Ithuriel and Melinoe stare at each other.

MELINOE

That was the only way. He was so close. He was going to raise one of the Twice Blessed witches’ children as his own niece. Therefore, the girl would do what he asked.

Ithuriel gets closer to her.

ITHURIEL

If you wanted a bloody Warren you could have asked for another. There were, are, like five hundred years of Warrens.

MELINOE

You know it’s not that simple. There might be five hundred years of Warrens, but only two were Gods once before.

Ithuriel stares seriously at her.

MELINOE (CONT’D)

I was expelled from Inferno. Only someone with God or Goddess essence can open that door again. And it can’t be me. Or you.

(looks away)

Dad made sure of that when he expelled me.

Ithuriel stares at her.

ITHURIEL

You had a Warren close to you all these years. Someone who was once one of the most terrifying Gods, Set. Why didn’t you?

Melinoe looks at him.

MELINOE

Because I love him. I didn’t want to put him in the middle of the fight between my father and me. Besides, he doesn’t know about that past life of him.

Ithuriel reaches out his hand and touches her face softly.

ITHURIEL

You never wanted children before.

MELINOE

(half-smile)

It all changed when I felt him inside of me.

Melinoe touches her belly.

MELINOE (CONT’D)

I love him as my own.

Ithuriel nods.

ITHURIEL

Very well, darling. I’ll be by your side.

Ithuriel kisses her lips softly. Then they look at each other.

MELINOE

After all these centuries, are you finally going to tell me what’s your God’s name?

Ithuriel smirks.

ITHURIEL

Not important.

He kisses her again. He leans her back down on the bed.

FADE TO:

EXT. SAN FRANCISCO - NIGHT / DAY

FOOTAGE of the Golden Gate Bridge as the night turns into day.

CUT TO:

EXT. WHITE MANOR - DAY

STILL view at the manor. And then ---

BEAT. Prue, Charlotte, and Casandra stand in front of the manor staring at it.

CHARLOTTE

Is it here?

CASSANDRA

It is.

PRUE

Let’s get this over with.

ON PRUE’S FACE - She’s determined.

CUT TO BLACK.

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Wes Ramsey as Wyatt Halliwell

Drew Fuller as Chris Halliwell

Sophia Bush as Prue B. J. Halliwell

Blake Lively as Melinda Halliwell

Leighton Meester as Charlotte Halliwell

Victoria Justice as Cassandra Halliwell

Chace Crawford as Henry Mitchell Jr.

Misha Barton as Tamora and Pandora Mitchell

Recurring

Alyssa Milano as Phoebe Halliwell

Matt Bomer as Damon

Special Guest Starring

Marisol Nichols as Bianca

Cassidy Freeman as Fiona

Sol Esteves as Melinoe


Guest Starring

Joseph Morgan as Colton

Jennifer Morrison as Ella

Peter Facinelli as Sebastian

Stephen Amell as Johnathan

Chris Wood as Ethan

Kathryn McCormick as Serena

Tom Ellis as Ithuriel

Casper Crump as Bak

Phil Kruse as Ray Eckart

Aimee Garcia as Zoe Ureña

John Paul Reynolds as Melvin Watts

Linnea Berthelsen as Cynthia Rich

Unknown as Tina

Unknown as Matt

Unknown as twins Peri and Patience

Unknown as Phoenix

Unknown as Unknown P3 Employee

Unknown as P3 Patrons

Created by

Constance M. Burge and Brad Kern (Charmed)

Sol (Destined)

Written and Edited by

Sol

Copyrights: Destined is a registered work and belongs to the writer Sol. Any copy or reproduction without permission is a crime punished by law.

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - DAY

AERIAL FOOTAGE all over the city at the sound of ‘Don’t StarT Now’ by Dua Lipa.

CUT TO:

INT. WHITE MANOR - ENTRANCE - DAY

MUSIC KEEPS PLAYING IN THE B.G.

ON FRONT DOOR - Someone opens the door and ---

BEAT. Prue is there. Charlotte and Cassandra stand behind.

ON COLTON - He smiles big at the sight of his sisters.

MUSIC FADES OFF.

COLTON

(smiling)

Sisters! What a surprise!

Colton can’t help the big smile on his face at the visitors. Prue, Charlotte, and Cassandra stare seriously at him.

COLTON (CONT’D)

Now, we can actually say that the family is all together now.

Prue frowns at his comment. Charlotte and Cassandra stare at each other.

PHOEBE (O.S.)

Girls?

Colton steps aside revealing Phoebe’s presence there. Prue, Charlotte, and Cassandra look at their mother surprised at the sight of her.

PHOEBE (CONT’D)

What are you doing here?

PRUE

Question is, what are you doing here, mom?

CASSANDRA

We thought you were still at ---

Cassandra cuts herself off and gazes at Colton who curiously keeps a big smile on his face.

COLTON

Cupid Temple. You can say, sis. There’s not much about our world that I don’t know.

Prue shoots Colton a curious look. Then she looks at Phoebe expecting an answer.

PRUE

Mom?

PHOEBE

I just came back. I needed to speak to your brother.

PRUE

Couldn’t you just give us a notice?

Prue and her sisters seem unhappy at Phoebe’s presence there. Phoebe can’t understand her daughters' reactions. She glances from Colton to Prue, Charlotte, and Cassandra.

PHOEBE

I’m sorry, but I don’t have to give explanations of why I’m here.

CHARLOTTE

You don’t?

Charlotte seems offended at it.

CHARLOTTE (CONT’D)

You spent days away and return now only to see him?

PHOEBE

Honey, I needed to talk to your brother.

CHARLOTTE

(mad)

He’s no brother of mine.

PHOEBE

(mad too)

Yes, he is.

(breath in)

And you better get used to it.

Colton glances at his sisters with a huge smile on his face. Prue stares seriously at him.

COLTON

I know this is difficult for all of us.

PRUE

Bullshit!

Colton’s smile fades off his face. Prue walks over to him and both are inches from each other.

PRUE (CONT’D)

You are enjoying all this, aren’t you?

PHOEBE

Prue?

Prue lifts a hand for her mother to stop.

PRUE

(to Phoebe)

I’m done.

(to Colton)

I can’t figure out your intentions just yet, but be sure of one thing.

(threatening)

I am watching you. And I won’t let you do any harm to my ---

(emphasis on the my)

--- family.

COLTON

I’m not trying to, sis.

PRUE

You better, otherwise I’ll show you what kind of sister I can be to you.

PHOEBE

Ladybug ---

PRUE

(cuts her off)

Don’t, mom.

Prue stares seriously at Phoebe.

PRUE (CONT’D)

We are done here.

PHOEBE

But ---

PRUE

(to her sisters)

Let’s go.

Prue turns around and walks out of the manor. Phoebe shoots Charlotte and Cassandra a pleading look. Both girls are disappointed. Cassandra grabs Charlotte’s arm and then both of them walk out of the manor. Colton turns to Phoebe.

COLTON

I guess it won’t be easy for them to welcome me into the family.

Phoebe glances at Colton and forces a smile.

PHOEBE

Everything will be fine. I’ll talk to them.

Colton shoots her a smile.

COLTON

Can we keep talking? You were going to tell me about my father when they arrived.

PHOEBE

Uh --- sure.

Phoebe turns around and walks into the living room.

ON COLTON - He smirks before heading into the living room as well.

CUT TO:

EXT. WHITE MANOR - PORCH - DAY

Prue stands not knowing what to think of what just happened. Charlotte and Cassandra approach.

CHARLOTTE

(aggressive; to Prue)

Why didn’t you just vanquish him?

CASSANDRA

Charlie!

CHARLOTTE

He’s gonna make mom’s mind.

CASSANDRA

He won’t. I’m sure mom just wants to know more about him. After all, he’s her son.

CHARLOTTE

He’s a demon.

(to Prue)

Why didn’t you ---

PRUE

(rude)

Enough!

Charlotte and Cassandra look at her.

PRUE (CONT’D)

I made myself clear to him. I’m sure he knows I’m not one he should mess with.

CHARLOTTE

Are you?

Cassandra shoots Charlotte a look.

CHARLOTTE (CONT’D)

‘Cause, lately you’ve been too soft.

Prue shoots Charlotte a glare. A mad glare. Charlotte steps back.

PRUE

You have no idea what I’m capable of when it comes to defending my family, sis.

CASSANDRA

We know, Prue.

CHARLOTTE

Then vanquish him.

Prue looks away.

PRUE

If I must, mark my words, I would.

Prue walks away. Charlotte and Cassandra glance at each other and then both of them follow Prue.

THE CAMERA MOVES OFF TO ONE OF THE WINDOWS ON FIRST FLOOR - Serena has been there watching the sisters.

CUT TO:

INT. CHRIS’ CONDO - BEDROOM - DAY

O CANDLES - There are three candles on the floor.

Chris walks over to them and lights them up. Then he steps back and chants:

CHRIS

(chanting)

‘My perfect wife I summon now,

Another way I don’t know how,

Bring her now into the light,

Come back to me, my Mrs. Right’

And there, a BRUNETTE WOMAN APPEARS in a swirl of bright lights. Only her back can be seen.

CLOSE UP ON CHRIS’ FACE - He smiles.

CHRIS (CONT’D)

Welcome back.

Chris stares at the brunette woman before him.

CUT TO:

EXT. SAN FRANCISCO - DAY / NIGHT

AERIAL FOOTAGE all over the town at the sound of ‘Love Tonight’ by Shouse.

CUT TO:

EXT. P3 - NIGHT

MUSIC KEEPS PLAYING IN THE B.G.

FOOTAGE of the facade of the bar. People are going into the bar. The music is pumping inside.

CUT TO:

INT. P3 - DANCING FLOOR / BAR - NIGHT

MUSIC KEEPS PLAYING IN THE B.G.

The crowd has fun on the dancing floor, as the DJ plays the music.

Inside the bar, Wyatt has his hands full while Prue approaches the bar and lands a tray heavily on the countertop. Wyatt gives her a look.

WYATT

We should really hire someone.

Prue gazes at him and her hard expression softens.

PRUE

Yeah, we should, honey.

At that moment, Tamora comes into the bar.

TAMORA

Okay, people, I am here now. What do you need me to do?

Both Wyatt and Prue look at her.

WYATT

Thanks, for coming, Tam. You and your sister have saved us tonight.

TAMORA

Anytime. Where’s Pan?

Wyatt points at Pandora who comes closer. Ethan comes right after her. Both of them are carrying a couple of bottles.

ETHAN

Who’s the DJ anyway?

PANDORA

I told you, he won a prize last month. And curiously he wanted to play here.

ETHAN

A famous DJ wanted to play here just because?

Tamora and Wyatt shoot Ethan a look.

TAMORA

Hey, P3 has been considered the best nightclub in town for several years in a row, okay?

Ethan shrugs giving in.

WYATT

He started here. He was one of the first DJs Prue hired back when she first opened the club.

ETHAN

Oh, I see.

TAMORA

And because this is one of the best clubs in town.

ETHAN

I was joking, okay?

They all laugh. All but Prue. Wyatt glances at Prue and notices her mind is somewhere else but there.

WYATT

Love?

Prue glances at Wyatt.

PRUE

I’m fine.

TAMORA

(to Prue)

How did it go with your brother?

Wyatt shoots Prue a look. He clearly didn’t know.

WYATT

You went to see that man?!

PRUE

I and my sisters. Mom was there.

The others are surprised at the revelation.

PRUE (CONT’D)

I let him know he should not mess with us.

WYATT

Honey, ---

PRUE

(cuts him off)

I need two margaritas.

Wyatt stares seriously at Prue. Tamora places two margaritas on Prue’s tray. She takes the tray and walks away as Wyatt watches her leave. Tamora looks at Wyatt and puts a hand on his arm.

TAMORA

Don’t pressure her. This whole thing has messed with her.

WYATT

I know.

Wyatt gives Tamora a thankful smile.

WYATT (CONT’D)

Tam, have you seen Sebastian lately?

TAMORA

No. He has been having a lot of charges to take care of. Kinda annoying if you ask me.

Wyatt forces a smile. Tamora gets back on her duty as Pandora and Ethan take a tray each and walk out of the bar.

CLOSE UP ON WYATT - He is serious.

THE CAMERA MOVES OFF TO - A couple sitting at one of the tables. A man, MELVIN WATTS (30s), and a woman, CYNTHIA RICH (20s). They seem to be on their first date. Melvin stares at Cynthia as if there’s no one else there. Cynthia feels flattered. She smiles shyly.

Prue approaches their table.

PRUE

Two margaritas.

She puts the margaritas on the table before them.

MELVIN

Thank you, miss.

Prue forces a smile and then walks away. Cynthia keeps staring at Prue.

CYNTHIA

She didn’t seem happy.

Melvin grabs Cynthia’s hand.

MELVIN

Maybe she doesn’t have what we have.

Cynthia feels her cheek go red. She looks at him shyly.

CYNTHIA

And what do we have?

Melvin smiles and takes her hand to his lips.

MELVIN

A deep attraction.

Cynthia lowers her gaze. Melvin looks down at her hand.

MALVIN (CONT’D)

You have such beautiful hands, did you know?

Melvin grabs Cynthia’s other hand and holds both her hands. He keeps staring seriously at her hands as if the object of his desire what’s Cynthia’s hands.

CUT TO:

EXT. SAN FRANCISCO - NIGHT

FAST MOTION footage.

CUT TO:

INT. UPPER REGIONS - NIGHT

Sebastian and Fiona are next to a pillar speaking in a low voice.

FIONA

That’s all I can tell right now, Sebastian.

SEBASTIAN

They are waiting for me to answer their questions and all you’ve given me is a bomb. How do you expect me to tell them there’s another Twice Blessed witch?

FIONA

That’s all I can tell. I am waiting to be called when they are ready to tell me more.

SEBASTIAN

Who are they?

FIONA

I can’t tell you, Sebastian. I’ve said too much. This kind of information is not to be passed to whitelighters. Especially new whitelighters.

SEBASTIAN

I’m not that new.

FIONA

There are whitelighters with hundreds of years, so ---

SEBASTIAN

Pointed. But they are waiting for me to give them more than just a he’s a Twice Blessed witch.

FIONA

Just tell them we are investigating.

Sebastian shoots her a look.

FIONA (CONT’D)

Please, Sebastian. This is a complicated situation. And we need to have all the cards before we throw the dice.

SEBASTIAN

(gives in)

Fine. Just don’t take too long or Wyatt will come here himself.

FIONA

I doubt he would, all the Warrens are mad at us for not believing them last year.

SEBASTIAN

Can you blame them?

Fiona shakes her head.

FIONA

Go home and don’t mention any of this to them. Not yet.

Sebastian nods. Then he ORBS out. Fiona takes a deep breath. Then she walks away.

CUT TO:

INT. HALLIWELL MANOR - NURSERY - NIGHT

Melinda is having trouble calming baby Phoenix. She paces the room as she tries to calm Phoenix. She has such lungs. The baby cries nonstop. Melinda wears pajamas.

MELINDA

C’mon, Nix. Make Auntie Mel’s life easier and calm down. Daddy will be here soon.

OFF TO THE ENTRANCE - Damon, shirtless, walks in.

DAMON

He’s not picking up.

Melinda rolls her eyes madly.

MELINDA

I’m gonna kill, Chris. He was supposed to be here by now. He promised he would take the kids home tonight.

DAMON

Maybe he got stuck with something.

Melinda shoots him a look.

DAMON (CONT’D)

Anyway, maybe you should get out or Nix will wake the others.

Melinda nods. She then walks out of the room. Damon has a good look at the cribs to check Tina, Matt and the twins are asleep. Then he walks out of the bedroom.

CUT TO:

INT. HALLIWELL MANOR - CORRIDOR - NIGHT (CONTINUOS)

Melinda comes from the nursery.

MELINDA

C’mon, Nix.

Damon comes from the nursery. He walks over to Melinda.

DAMON

Maybe we should try Prue. You know Nix always calms down with Prue.

MELINDA

I doubt Prue can get her mind to take care of the kids. Not after what happened earlier.

Damon shoots her a look.

MELINDA (CONT’D)

She had some sort of face-to-face with her big brother. The worse was that aunt Phoebe was there. She got pissed.

DAMON

I bet.

The baby keeps crying.

MELINDA

It’s enough. Take her.

Melinda gives the baby to Damon. He holds the baby and tries to calm her down. He looks at Melinda.

DAMON

What are you going to do?

MELINDA

I’m gonna take Chris here no matter what.

DAMON

Are you going to ---

MELINDA

Orb there? Yes.

Melinda concentrates and then her ASTRAL SELF appears. Astral Melinda glances at Damon and then at the baby.

ASTRAL MELINDA

(annoyed)

Can you please make her stop? That kid is blowing my eardrums!

Melinda shoots Astral Melinda a look.

MELINDA

Seriously?

ASTRAL MELINDA

What? I can’t stand the kid’s cry any longer.

MELINDA

That’s why you are not the dominant part of us. Let’s go. Orb us to Chris’ condo.

ASTRAL MELINDA

What? He doesn’t want us to orb there without knocking.

DAMON

(to Melinda)

She has a point.

MELINDA

I don’t care.

(to Astral Melinda)

Let’s go.

Melinda grabs Astral Melinda’s hand and then Astral Melinda ORBS out taking Melinda with her.

CUT TO:

INT. CHRIS’ CONDO - BEDROOM - NIGHT

Little light there.

CLOSE UP - Astral Melinda ORBS in bringing Melinda. They scan the room and then ---

ON THE BED - Chris is there for sure, but he’s not alone. Someone else is there. A brunette woman. Both of them move behind the sheets, their heads are the only parts of their bodies that are visible.

MELINDA

Oh, my!

Melinda turns around as she sees something that makes her feel disgusted. Astral Melinda’s eyes are wide open staring at the scene before her.

Chris and his companion realize they are not alone anymore and come from under the sheets.

CHRIS

(embarrassed)

Mel!

ON ASTRAL MELINDA’S EYES - They go even wider when she sees the face of the woman.

ASTRAL MELINDA

Wasn’t she dead?!

CLOSE UP ON MELINDA - Out of the corner of her eyes, Melinda glances at the standing mirror and her eyes go wide when she sees the face of the woman Chris was making love with. BEAT. BEAT. BEAT. That woman has the face of BIANCA herself.

MELINDA

(astonished)

Bianca?

Melinda turns around astonished and stares open-eyed at her brother and Bianca.

CUT TO:

INT. HOUSE - DARK ROOM - NIGHT

THE ROOM IS DARK. There is a table in the center of the room with a black sheet covering it. The woman, Cynthia, lies unconscious on the table. Her hands are tied in front of her body and an OUROBOROS is drawn on her forehead.

OFF TO MELVIN - He approaches the table staring at Cynthia maliciously.

Melvin caresses her face softly with his left hand while ---

MELVIN

You are so beautiful. So, so beautiful, but ---

He lifts his right hand revealing he’s holding a meat cleaver knife.

MELVIN (CONT’D)

Your hands are even more beautiful.

Melvin raises his hand ready to strike the cut and ---

CUT TO:

INT. HALLIWELL / COOP MANOR - ENTRANCE - NIGHT

ON THE FRONT DOOR - Cassandra walks in. She puts the keys on her bag and puts her bag on the table. Then she takes off her jacket.

OFF TO PHOEBE - She comes from the living room.

PHOEBE

Cass? Honey?

Cassandra turns around and looks at her mother.

CASSANDRA

Mom!

PHOEBE

I was waiting for you.

CASSANDRA

I see. I told you I was coming home late when you texted.

PHOEBE

I know. But I wanted to wait for you.

Cassandra nods.

PHOEBE (CONT’D)

I texted Charlie too and she hasn’t replied yet.

CASSANDRA

She’ll stay at Eric’s tonight. And maybe all the nights that follow.

PHOEBE

Honey, I ---

CASSANDRA

Why didn’t you tell us you were going to see him, mom?

Phoebe sighs.

PHOEBE

I need you to understand that this is a new situation for me too.

CASSANDRA

Yeah, well, mom, you seem like you have embraced it. You were there.

PHOEBE

I know. But ---

CASSANDRA

We don’t know anything about that man.

PHOEBE

I know he has my blood. Your blood.

(pauses)

I can feel he is my son.

Cassandra stares seriously at her mother.

CASSANDRA

Great. So, that’s enough to welcome him? He’s a demon, mom.

PHOEBE

I know. But I can feel he’s good.

CASSANDRA

It might be, mom, but we are not sure. Cole was the Source when ---

(waves her hands)

--- when you two ---

(groans)

I can’t even say it.

PHOEBE

I know what you think. That he takes after Cole. That he carries the essence of the Source, but honey, we’ve proven that that essence has gone back to whatever forgotten place it belongs to after it left Prue and Wyatt.

CASSANDRA

That essence yes, mom. But what if some part was passed through blood?

Phoebe is about to answer, but she doesn’t.

CASSANDRA (CONT’D)

Yeah, the same way he found another womb, part of the Source’s essence could have found a way to him.

Phoebe lowers her gaze.

CASSANDRA (CONT’D)

We don’t know him, mom. We can’t just be open-armed and welcome him to this family. At least not until we know his true intentions.

Phoebe stares seriously at Cassandra and is about to walk over to her, but Cassandra turns around and walks upstairs. Phoebe is left there. Sad. She sighs.

CUT TO:

INT. CHRIS’ CONDO - LIVING ROOM - NIGHT

Melinda comes from the bedroom. She’s super irritated. Chris comes following after her.

CHRIS

Mel, let me explain.

Melinda stops and turns to Chris. He wears the pajamas’ pants.

MELINDA

(sarcastic)

I would love to hear your explanation, Chris.

Astral Melinda and Bianca also come in. Astral Melinda can’t avoid checking Bianca.

CHRIS

Listen ---

MELINDA

(mad)

Now, Chris. What’s going on here? How did you bring her back?

CHRIS

I didn’t.

ASTRAL MELINDA

(sarcastic)

Oh, I see, she’s a very realistic sex doll.

BIANCA

I am not.

Chris glances at Melinda with a very guilty look on his face.

MELINDA

What’s going on?

Chris sighs.

CHRIS

This was my way of dealing with it, okay?

MELINDA

What way?

(looks at Bianca)

How is she here?

BIANCA

(smiling)

Chris summoned me.

Melinda shoots Bianca a look.

MELINDA

Summoned you?

ASTRAL MELINDA

From the dead?

BIANCA

No. I’m his Mrs. Right.

Melinda’s eyes go wide. She glances at Chris who can’t avoid feeling guilty.

MELINDA

(to Chris)

What?

CHRIS

I cast a spell.

Melinda is astonished.

CHRIS (CONT’D)

To summon my Mrs. Right. My wife.

Melinda can’t believe what she just heard.

MELINDA

I can’t believe it!

CHRIS

It was my way to deal with it. You don’t know how it was for me. And the kids love her.

Melinda’s eyes go wide again.

MELINDA

Wait! The kids know about her?!

Chris nods.

MELINDA (CONT’D)

Oh, my God! This is ---

Melinda is speechless.

MELINDA (CONT’D)

I don’t even know what to say.

ASTRAL MELINDA

Oh, I do.

(to Chris)

Wicked!

Chris rolls his eyes.

MELINDA

There were other ways of doing this. This is personal gain. Personal gain always comes back to bite our asses. What were you thinking?

CHRIS

Mel, please, stop it.

Melinda crosses her arms over her chest. She stares seriously at Chris.

MELINDA

Don’t worry about your kids. I better keep them away from here.

Melinda walks over to her astral self.

CHRIS

Mel, please ---

Melinda grabs Astral Melinda’s hand.

MELINDA

Let’s go.

Astral Melinda ORBS out taking Melinda. Bianca stares seriously at Chris.

BIANCA

This is all my fault.

CHRIS

No, no, honey, it’s not.

(walks over to her)

They have no idea how a life without the one we truly love is.

Bianca gives him a sad smile. Then she hugs him.

CLOSE UP ON CHRIS’ FACE - He is serious.

CUT TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - ALLEY - NIGHT

THE PERIMETER HAS BEEN SET. Officers and CSI agents are on the scene.

Junior and his partner, DETECTIVE RAYMOND ‘RAY’ ECKART (30s), come. Ray lifts the yellow crime scene tape and both Junior and Ray approach the forensic scientist (ZOE UREÑA, LATE 30s) who’s near a dead body taking photos of it. Junior and Ray look at the body.

JUNIOR

What do we have here?

Zoe stands and looks at her colleagues.

ZOE

Woman. Mid-twenties. Stabbed on the chest. No hands. No documents.

Junior and Ray look at the body.

ON THE BODY - It is Cynthia. Her chest is covered with blood and her arms are straightly beside her body. No hands.

JUNIOR

The killer cut out her hands?

Zoe nods.

ZOE

Weirdo, right?

RAY

Who found the body?

ZOE

A homeless. He’s there.

Zoe points to a homeless man who seems very shattered in a corner. An officer is right beside him.

RAY

I’ll talk to him.

Ray walks away. Junior glances at the body scanning it. He notices something.

JUNIOR

What’s that?

Junior walks over to the head and lowers down.

ON CYNTHIA’S FACE - The OUROBOROS SYMBOL is there.

Junior looks at Zoe.

ZOE

An Ouroboros.

Junior stands and stares at Zoe.

JUNIOR

Am I supposed to know what that is?

ZOE

Of all people, I thought you would know.

Junior shoots her a look.

ZOE (CONT’D)

C’mon, Mitchell. I’m sure you learned about it in Magic School.

Junior grimaces at her.

JUNIOR

Can you keep your voice down? I don’t want to scare my new partner.

ZOE

Well, he needs to get used to that both of us are specialists on weirdo things.

Zoe shrugs.

ZOE (CONT’D)

I don’t have a saying on that, otherwise, they all will know we are witches.

JUNIOR

Zoe!

ZOE

(shrugs)

Fine. An Ouroboros is an ancient symbol depicting a serpent or dragon. That one she has on her forehead was drawn with simple lines.

JUNIOR

Does it have a meaning?

ZOE

It is often interpreted as a symbol for eternal cyclic renewal or a cycle of life, death, and rebirth.

Junior shoots her a look.

JUNIOR

You really paid attention to classes, huh?

ZOE

No. I went to a lecture last week with a famous professor at Harvard.

Ray approaches them.

RAY

The guy knows nothing. He just found the body. So, no ID?

Zoe shakes her head.

ZOE

And no fingertips. I’m gonna use her teeth to find out who she is.

(grimaces)

Was.

RAY

Okay. Keep us posted.

Zoe nods. Ray walks away. Zoe grabs Junior’s hand.

ZOE

Magic, Junior.

Junior and Zoe stare seriously at each other. Then Junior nods and walks away. Zoe turns to the dead body.

ZOE (CONT’D)

(to the body)

You could make it easy for me, you know. Just tell me who you are.

Zoe lowers down and touches Cynthia’s arm. Then, out of a sudden, Cynthia’s voice is heard. Zoe CAN HEAR THE DEAD.

CYNTHIA (V.O.)

Cynthia Rich.

Zoe smiles.

ZOE

Who did this to you, Cynthia?

Again, Cynthia’s voice.

CYNTHIA (V.O.)

I can’t remember.

ZOE

(forces a smile)

Okay, Cynthia. Go rest in peace.

Zoe stares at Cynthia’s body and sighs.

CUT TO:

EXT. SAN FRANCISCO - NIGHT

AERIAL FOOTAGE all over the town.

CUT TO:

INT. HOUSE - DARK ROOM - NIGHT

There’s more light in the room than before. It can be seen another table beside the one where Cynthia was before. What lies in it can horrify the most sensitive of minds.

ON ALMOST COMPLETE BODY - It is some sort of body divided into parts. There are two legs, a neck, and two arms. This could be some sort of FRANKENSTEIN-LIKE creation. All of them are placed in the right place.

Melvin comes into the room holding Cynthia’s hands. He walks over to the table and puts his hands at the end of the arms. Then he stares at it.

MELVIN

Soon, my love. Soon, we’ll be reunited again. I just need to find the perfect torso and the head. I haven’t found the perfect brunette woman for that.

(pauses)

I’ve got the spell to bring you back done already.

Melvin smiles as he stares at the body’s parts lying there. It’s a creepy smile.

CUT TO:

INT. HALLIWELL MANOR - NURSERY - NIGHT

SOUND - Baby Phoenix crying.

Damon comes into the room immediately and takes Phoenix in his arms.

DAMON

C’mon, baby. Uncle Damon will buy you a doll if you just stay quiet, okay?

He rocks the baby, but she keeps crying loudly.

OFF TO THE ENTRANCE - Bianca comes in.

DAMON (CONT’D)

C’mon, Nix. We don’t want to wake your brother and cousins.

BIANCA

Can I?

Damon looks at Bianca and his eyes go wide immediately. He is astonished.

DAMON

Bianca?

Bianca nods as she smiles and reaches out her arms to get the baby. Astonished, Damon hands her the baby.

DAMON (CONT’D)

How are you here?

BIANCA

(rocking the baby)

Oh, Chris is explaining that to Mel downstairs.

Phoenix starts calming down.

BIANCA (CONT’D)

Go. I’ll watch them.

Damon can’t hide the astonishing look. He blinks a few times. He glances at Phoenix who has stopped crying.

DAMON

Okay.

Damon walks out of the room as Bianca rocks the baby, very motherly.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - NIGHT

Melinda paces the room as Chris and Astral Melinda stare at her.

ASTRAL MELINDA

Let’s see it from the bright side, at least he has been working out at night.

Chris shoots Astral Melinda a look.

ASTRAL MELINDA (CONT’D)

What? It is true. How long has it been? Five months since she’s gone? Oh, no, wait, she was pregnant before that and her belly was huge. Maybe longer?

Astral Melinda smiles big. Chris shoots her a not so friendly look.

MELINDA

I just can’t believe how irresponsible you’ve been.

CHRIS

Because I dealt with my pain?

MELINDA

(mad)

This is not the way to deal with your pain, Chris! It’s a fantasy. You are not living the reality of things. Hasn’t been enough for you what happened last year?

CHRIS

Was it right the way she left?

Chris and Melinda stare seriously at each other.

MELINDA

She’s at peace, Chris. At peace. You heard her. It was her time to go.

OFF TO DAMON - He walks in.

DAMON

Guys?

No one looks at Damon.

DAMON (CONT’D)

Can someone explain to me why I saw Bianca alive and kicking?

ASTRAL MELINDA

She’s not a sex doll, I can tell you that.

Melinda glances at Damon. Chris looks away.

MELINDA

My brother used the Mr. Right spell with a twist.

DAMON

The Mr. Right spell?

ASTRAL MELINDA

Book of Shadows, page ---

(grimaces)

--- I don’t remember the page. Created by Phoebe and Paige like ions ago.

Damon's gaze goes from Astral Melinda to Melinda.

MELINDA

In a very twisted way, she’s right.

Astral Melinda smiles.

ASTRAL MELINDA

And it’s also right that I should be in bed right now.

(to Melinda)

So, can you please get me back in your body or allow me to go to sleep?

MELINDA

Fine.

Melinda focuses and then Astral Melinda DISSPAEARS.

DAMON

(to Chris)

Mrs. Right?

Chris looks and Damon and sighs.

CUT TO:

INT. HALLIWELL MANOR - ENTRANCE / FOYER / STAIRCASE - NIGHT (CONTINUOUS)

The front door opens. Prue and Wyatt walk in holding hands.

WYATT

You seem tired.

PRUE

It was a long day.

SOUND - Voices coming from the conservatory room.

PRUE (CONT’D)

I’m gonna go check on the kids. I don’t have patience for drama right now.

Wyatt nods.

WYATT

I’ll be right up.

Prue nods. She walks upstairs as Wyatt walks into the conservatory room.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - NIGHT (CONTINUOUS)

Wyatt walks in and glances at them.

WYATT

What’s going on?

They look at Wyatt.

MELINDA

Do you want the short version or the longer one?

WYATT

Make it short. I’m very tired.

CHRIS

Mel, please.

MELINDA

Our dear brother has cast the Mr. Right spell.

Wyatt shoots Chris a look. Chris rolls his eyes.

MELINDA (CONT’D)

The only difference is that he used it to cast his own Mrs. Wright.

(dramatic pause)

Bianca.

WYATT

Come again.

DAMON

It’s true. I’ve seen her.

CHRIS

Guys, can you please stop and listen.

They all stare at Chris.

CHRIS (CONT’D)

Where’s Prue? I don’t want to repeat myself.

WYATT

She has gone to check on the kids.

MELINDA

Oh, crap!

Melinda sighs.

CUT TO:

INT. HALLIWELL MANOR - NURSERY - NIGHT

Prue walks into the room and stops as she sees someone standing right next to Phoenix’s crib. Bianca stands on her back to the entrance.

PRUE

Who are you?

Bianca turns around and smiles.

BIANCA

Hello, Prue!

ON PRUE’S FACE - She’s astonished.

CUT TO:

INT. S.F.P.D. - MAIN ROOM - NIGHT

Junior walks over to his desk as Zoe approaches him. She carries a file.

ZOE

Junior?

Junior turns around. Zoe drops the file on the desk. Junior gazes down at the file.

ZOE (CONT’D)

Cynthia Rich. 25. Nanny.

Junior takes the file and has a look at it.

ZOE (CONT’D)

Cause of dead, stabbed in the chest. The hands were cut out while she was still alive.

Junior looks astonished at Zoe.

JUNIOR

What?

ZOE

Cruel, right?

JUNIOR

How did you find her identity?

ZOE

You know how. But I had to pull out the dental records to disguise.

JUNIOR

Okay. Thanks.

ZOE

J? Magic is involved. I’m sure of it.

Junior glances around making sure no one is listening. Luckily, there are not many people there.

JUNIOR

I’ll see what I can do.

ZOE

If you need, call me. I’m gonna help Eckart. Cynthia’s family is here already.

Junior nods. Zoe shoots him a half-smile and then walks away. Junior gazes down at the file.

CLOSE UP - PHOTO of the symbol on Cynthia’s forehead.

Junior is thoughtful. He sighs and closes the file.

CUT TO:

INT. HALLIWELL MANOR - NURSERY - NIGHT

Prue and Bianca stare at each other. Bianca smiles big at Prue while the last one can’t hide the surprised look on her face.

PRUE

Bianca, is that really you?

Bianca nods.

BIANCA

Sorta.

Prue rushes to her and hugs her.

PRUE

How is this possible?

OFF TO THE ENTRANCE - Melinda walks in.

MELINDA

Prue?

Prue and Bianca part. Prue turns to Melinda.

PRUE

How is this possible?

MELINDA

It has an explanation.

Prue glances from Melinda to Bianca.

PRUE

What explanation?

Melinda and Bianca glance at each other. Then Melinda grimaces at Prue.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - NIGHT

The ambiance there is not good. Wyatt is giving Chris a lecture. Damon stands in the back just staring at them.

WYATT

I can’t believe you’ve been so irresponsible, Chris. Conjuring a Mrs. Right.

CHRIS

You don’t understand, Wy.

They both are mad.

WYATT

You have always been the responsible one. The one who thinks before acting. Have you lost your mind now? This is not moving on, Chris.

Chris rolls his eyes.

WYATT (CONT’D)

Not to mention how confusing it can be for the kids. How long have you been keeping this going on?

CHRIS

(sighs)

Almost three months.

Wyatt can’t believe it.

WYATT

Three ---? Dammit, Chris! Were you ever going to tell us about it?

CHRIS

Not until I had found a way to make it permanent.

Wyatt and Damon are astonished at this revelation.

WYATT

What? You’re telling me that you were thinking of ---

CHRIS

I was, yes.

(swallows)

I am.

Wyatt is shocked.

WYATT

(out loud)

That’s not Bianca!

DAMON

Let’s calm down, both of you.

Chris’ cheeks get red with anger.

CHRIS

You don’t know how it has been for me.

Now, Chris is madder.

CHRIS (CONT’D)

You don’t know how it is to lose the love of your life. To know that the woman you’ve dreamet of spending the rest of your life with won’t come back.

Wyatt stares at Chris.

CHRIS (CONT’D)

You have no idea how it is to live with a broken heart.

Chris’ eyes get wet and soon, he drops a tear.

CHRIS (CONT’D)

Tell me, Wyatt. What would you do if you ever lose her? What would you do to bring Prue back from the dead?

WYATT

This is not about me, Chris.

CHRIS

(out loud)

Tell me!

Wyatt and Chris look seriously at each other.

OFF TO THE ENTRANCE - Prue walks in. Melinda and Bianca come in just right after her. The three of them stare at Chris and Wyatt.

WYATT

(swallows)

I would go to hell and back. I would become the Source of All Evil all over again if it meant having her back.

Chris got the answer he was waiting for.

CHRIS

Then, you know why I did what I did.

Chris takes a deep breath and wipes out the tear.

CHRIS (CONT’D)

I can’t live without her, Wyatt. I can’t.

Chris rushes out of the room heading to the garden. Bianca rushes right after him. Wyatt turns around and looks at Prue.

WYATT

I would. I really would.

Prue walks over to him and hugs him. Melinda and Damon glance at each other.

CUT TO:

EXT. HALLIWELL MANOR - BACK YARD - NIGHT

Chris stands there staring up at the sky. He has his hands in his pockets.

OFF TO BIANCA - She comes closer and hugs Chris from behind.

BIANCA

Babe ---

CHRIS

I can’t lose you, B.

Chris turns around and wraps his arms around her body.

CHRIS (CONT’D)

I can’t lose you again.

BIANCA

You won’t.

He kisses her lips softly.

BIANCA (CONT’D)

You and Wyatt should not fight like that. Your brother needs you. You told me, remember?

CHRIS

(nods)

I know. But he thinks I’m wrong.

BIANCA

Let’s prove him wrong.

Chris half-smiles and nods. Then, both kiss each other again.

CUT TO:

EXT. SAN FRANCISCO - NIGHT / DAY

AERIAL FOOTAGE all over the city.

CUT TO:

INT. MATTHEWS / MITCHELL MANOR - DINING ROOM - DAY

Tamora and Pandora are having breakfast. Junior walks in and sits beside Tamora. Tamora shoots him a look.

TAMORA

Morning to you too, brother.

Junior gazes at her and shoots her an apologetic look.

JUNIOR

Sorry, I ---

PANDORA

Long night?

TAMORA

Don’t tell me you are still worried about Christopher?

JUNIOR

He’s been texting lately, so I know he’s okay.

PANDORA

Then is it about Melissa’s trip?

JUNIOR

What trip?

Junior shoots Pandora a look.

PANDORA

Oh, I --- I just ---

TAMORA

I wanted to check on her so I can book us a day to see the bridesmaids’ dresses and she told me she was traveling soon.

JUNIOR

What? She didn’t mention a thing.

TAMORA

You should ask her.

PANDORA

If it’s not Christopher or Melissa, what is it?

Junior takes a deep breath and pours himself a cup of coffee.

JUNIOR

A body was found last night.

PANDORA

A body is found every night everywhere.

JUNIOR

Yeah, but there are a couple of weird things about this case.

TAMORA

Just a couple?

JUNIOR

No hands and a weird symbol on her forehead.

Tamora and Pandora glance at each other.

TAMORA

What symbol?

JUNIOR

An Ouro -- Ouroboros.

PANDORA

A what?

JUNIOR

Yeah. My question exactly. Zoe knew what it was. It was a good thing that she was transferred to San Francisco, actually. That way it won’t be only me dealing with weird things.

PANDORA

So, you think it’s related to magic?

JUNIOR

Zoe does.

SOUND - JUNIOR’S PHONE. It buzzes.

Junior takes the phone out of the jacket’s pocket and checks it.

JUNIOR (CONT’D)

(worried)

I need to go. Another body was found.

TAMORA

Do you want us to check on that symbol?

JUNIOR

(stands)

Would you do that for me?

Tamora stands.

JUNIOR (CONT’D)

I’ll send you a pic of that thing.

Junior turns around and walks out. Tamora and Pandora look at each other.

PANDORA

What was the name again?

TAMORA

Orobiro.

PANDORA

(shoots her a look)

No, it was otroboro.

Tamora and Pandora shake their heads.

CUT TO:

INT. HALLIWELL MANOR - ENTRANCE / FOYER / STAIRCASE - DAY

SOUND - DOORBELL.

Prue rushes to the front door and opens it. BEAT. Bianca is there.

BIANCA

(cheerful)

Hi!

PRUE

Bianca! I mean --- It’s your name ---

BIANCA

Bianca.

PRUE

Right.

Prue signs her to walk in. Bianca walks in and then Prue peeks outside.

PRUE

(looking at Bianca)

Did you come alone?

Bianca turns to Prue and smiles.

BIANCA

I was created, but I know how to use a cab.

PRUE

Of course.

Prue closes the front door.

PRUE (CONT’D)

Uh --- I’m sorry, I don’t know how to act around you.

BIANCA

I’m the same old Bianca.

Prue shoots her a look.

BIANCA (CONT’D)

I have her memories.

PRUE

(surprised)

You do?

BIANCA

Chris made sure of that when he created me.

PRUE

Right. So ---

BIANCA

I came to tell you that I’m ready to go back to work now that you guys know about me.

PRUE

What?

Bianca nods frantically.

BIANCA

P3?

PRUE

Oh.

BIANCA

Chris mentioned weeks ago that you were trying to find someone to replace me. Who better than me?

Prue doesn’t know what to say.

PRUE

Right, I ---

AT THAT MOMENT, the front door opens and Tamora and Pandora walk in.

TAMORA

We need the BOS, Prue.

Tamora and Pandora look at Bianca.

TAMORA (CONT’D)

(astonished)

Bianca?

Bianca smiles.

PANDORA

Is she back from the ---

PRUE

Mrs. Right spell.

Tamora and Pandora shoot Prue a look.

BIANCA

Chris created me.

Tamora and Pandora are both astonished.

PANDORA

Where does personal gain stand? I remember a time where it was me doing this kind of things.

PRUE

Girls, it’s too early to think of that. You want to see the BOS because ---?

TAMORA

Because a toroboro.

Tamora and Pandora can’t stop staring at Bianca.

PRUE

A toroboro?

TAMORA

It’s a symbol.

PRUE

Book of Shadows is in the attic as always. Be my guest. And you probably mean Ouroboros.

TAMORA

(sarcastic)

Of course, you’d know!

PANDORA

We might need help.

TAMORA

It’ll be good to distract you from your brotherly problem.

PRUE

I need to go to P3.

BIANCA

Oh, don’t worry about that. I can take care of P3. It’s my job, right?

Prue, Tamora, and Pandora stare at Bianca who smiles big at them.

CUT TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - ST. MARY SQUARE - DAY

CRIME SCENE - The perimeter was set there. Officers are there. Several passers-by are there outside the perimeter.

ON BODY PARTS - Legs, arms, and head are on a bench. The Ouroboros symbol has been drawn on the forehead.

Zoe is photographing the body parts on the bench.

OFF TO JUNIOR AND RAY - They come and approach Zoe.

RAY

Zoe!

Zoe turns to them and grimaces.

ZOE

This is worse.

Zoe steps aside for them to see what’s on the bench.

RAY

Is that ---

JUNIOR

Holly crap!

RAY

Everything, but holly.

ZOE

The freak took her torso and neck.

Ray covers his mouth.

RAY

Who would do such a thing?

ZOE

That’s up to you to find out. There are some witnesses there.

Zoe points to a group of people outside the perimeter.

ZOE (CONT’D)

They saw someone dropping the parts. They only realized what it was when the person ran leaving them here. They came closer and ---

(shrugs)

--- well, got scared as hell at the sight.

JUNIOR

Did they have a good look at the person?

Zoe shakes her head.

ZOE

The freak was wearing a hoody and drove a van with no plaque.

RAY

Damn, New York was hell, but San Francisco has been even worse.

JUNIOR

You haven’t seen anything.

Ray shoots Junior a look and then walks away. Zoe turns to Junior.

ZOE

Have you found anything?

JUNIOR

My sisters are on it.

ZOE

Good. The victim’s name is Lilly Stark. 38. Same symbol on the forehead.

JUNIOR

Did she see who did it?

ZOE

She doesn’t remember. And was so reluctant to move on, but I finally convinced her.

Junior and Zoe stare at each other seriously.

CUT TO:

INT. MAGIC SCHOOL - MAIN HALL - DAY

A few students are hanging around. Charlotte and Melinda come in. They talk.

CHARLOTTE

I can’t believe Chris did such a thing.

MELINDA

Tell me about it! He was always the reasonable sibling.

CHARLOTTE

So, the kids ended up staying with you guys again?

Melinda nods.

MELINDA

It was better. Chris was shattered after the confrontation with Wyatt.

Charlotte sighs. Melinda stares at her seriously.

MELINDA (CONT’D)

I heard you and your sisters went to see Colton.

Charlotte grimaces.

CHARLOTTE

Don’t remind me of that. Mom was there.

MELINDA

I heard.

CHARLOTTE

I wish Prue could just vanquish him.

Charlotte looks away. Melinda stares seriously at her.

MELINDA

Why don’t you?

Charlotte looks at Melinda.

CHARLOTTE

What?

MELINDA

C’mon, Charlie! You have kinda a blowing power now.

CHARLOTTE

It’s not ---

Melinda shoots her a pointed look.

MELINDA

Disintegration. As easy as the wave of a hand.

Charlotte swallows.

CHARLOTTE

I ---

Charlotte starts sweating.

CHARLOTTE (CONT’D)

I could, but ---

MELINDA

But you wouldn’t be able to live with yourself if you do.

Charlotte looks at Melinda.

MELINDA (CONT’D)

Don’t ask Prue to do the same.

Melinda puts a hand on Charlotte’s shoulder.

MELINDA (CONT’D)

Think about it, cous.

OFF TO THE ENTRANCE - Cassandra and Ella come in.

CASSANDRA

Do you think you can find me something like that?

ELLA

Are you gonna tell me why you want it for?

Cassandra presses her lips together.

ELLA (CONT’D)

Fine.

Melinda and Charlotte glance at Cassandra and Ella.

MELINDA

Hey, you two!

Cassandra and Ella approach Melinda and Charlotte.

CASSANDRA

Hey, what’s up?

(to Charlotte)

You’re feeling better?

CHARLOTTE

Kinda. Not.

Cassandra gives her sister a sad smile.

CASSANDRA

Mom asked for you last night.

CHARLOTTE

I’m glad I didn’t go home. I wasn’t in the mood for a confrontation with mom.

MELINDA

Tired of confrontations I am.

Ella notices Melinda’s mood.

ELLA

Something wrong?

MELINDA

Chris.

Ella gets interested now. She shoots Melinda an inquiring look.

MELINDA (CONT’D)

Oh, he did something wrong.

CASSANDRA

Chris?

Melinda takes a deep breath.

MELINDA

He summoned Mrs. Right.

CASSANDRA

He did what?

ELLA

Mrs. Right?

MELINDA

Well, it’s more like Mrs. Wright-Halliwell.

Ella and Cassandra are confused.

CASSANDRA

Wait, what?

MELINDA

He summoned someone who looks exactly like Bianca. Speaks exactly like Bianca and with Bianca’s memories.

ELLA

What?

MELINDA

Yeah. And the worse part is that he plans to turn it permanent.

ELLA

Again, what?

MELINDA

Yeah. We thought he was dealing with it, but the way he is dealing with it hasn’t been the right one.

CASSANDRA

I am astonished.

MELINDA

Yeah. Well, I saw them in bed.

Ella looks away.

MELINDA (CONT’D)

They were ---

ELLA

Mel?

Melinda looks at Ella.

ELLA (CONT’D)

We don’t need details.

MELINDA

Right. Sorry.

Ella starts feeling uncomfortable.

ELLA

I need to go.

Melinda is about to say something else, but Ella rushes out of there. Melinda looks at Charlotte and Cassandra.

MELINDA

So, I guess she’s still in love with Chris.

CHARLOTTE

She’s hurting. She tries to hide it, but ----

MELINDA

But you are a cupid, you can read her true feelings.

Charlotte nods.

MELINDA (CONT’D)

I wish my brother could see her like that.

CASSANDRA

Chris loved Bianca so much that I don’t think he would ever be happy with someone else as he was with Bianca.

MELINDA

Living a life without love?

CHARLOTTE

Well, if he finds a way to turn this Bianca permanent ---

MELINDA

Don’t. It’s not real. We had enough unreal things last year, remember?

CASSANDRA

True, but ---

MELINDA

But nothing. I don’t even want to think about it. I need to go now. I need to find a way to reason with Chris and make both my brothers make amends for last night.

CHARLOTTE

Good luck with that.

Melinda forces a smile.

CASSANDRA

I give you a ride. I need to go too.

(to Charlotte)

Talk later?

Charlotte nods. Then Cassandra puts a hand on Melinda’s shoulder and BEAMS out taking her.

Charlotte gets thoughtful. Then she walks off.

CUT TO:

INT. CHRIS’ CONDO - ENTRANCE / LIVING ROOM - DAY

Chris rushes to the front door. He seems unsettled. He opens the front door and ---

BEAT. Wyatt stands there. He was about to knock. Chris is surprised.

CHRIS

Wyatt?

WYATT

I think we need to talk.

They stare at each other seriously for a few seconds.

CHRIS

I know, but I can’t. Bianca ---

WYATT

She’s at P3.

Chris has a confused look.

WYATT (CONT’D)

She wanted her job back.

CHRIS

Right.

They keep their eyes fixed on each other. Then Chris steps to let Wyatt come in. Wyatt walks in. Chris closes the door. Then Wyatt turns around to face Chris.

CHRIS

Look, Wyatt, if you are here to tell me that I did wrong bringing Bianca back ---

WYATT

She’s not back, Chris.

Chris looks away.

WYATT (CONT’D)

That’s not Bianca.

CHRIS

She has her memories. Her looks. The way she is ---

WYATT

It’s not her!

Chris swallows.

WYATT (CONT’D)

I would understand if you found a way to bring her back, but that woman is not her.

CHRIS

I can make her be.

Wyatt can’t believe how stubborn Chris is being.

CHRIS (CONT’D)

Look, I found a potion in the Book of Shadows. I’ve been working on it. I know I can adapt it to serve my purpose. It will work.

WYATT

Stop it.

Chris looks seriously at Wyatt.

CHRIS

If you’re not here to support me, then what?

Chris sounds hard.

CHRIS (CONT’D)

You said last night ---

WYATT

I know what I said, and I meant every word, but that woman is not Bianca.

CHRIS

I told you. She can be.

WYATT

Stop it, Chris. Stop this madness.

CHRIS

Madness? You think I’m mad?

WYATT

I think you are in pain. But you’ll never get off of it until you don’t accept that Bianca is gone and you need to move forward without her.

Wyatt sounds hard on Chris. He stares at his brother.

WYATT (CONT’D)

She’s gone, Chris.

ON CHRIS’ FACE - His cheeks start turning red. His eyes get wet.

CHRIS

No.

(holds the tears inside)

I can’t accept it. I need her in my life. I need my wife, my partner. The mother of my children. And I’m gonna find a way to have her back. No matter what.

That said, Chris ORBS out. Wyatt sighs. He seems like he doesn’t know what to do.

CUT TO:

INT. HOUSE - DARK ROOM - NIGHT

ALL BODY PARTS are placed in their right place on the table, now with a torso that unites each part. Melvin is finishing sewing an arm to the torso. The feminine parts are covered with a white sheet.

MELVIN

Almost, almost. Now I just need to find the perfect head. That’s the trickiest. Finding the perfect face for you.

(smirks)

But I have hope. Tonight I’ll go out again. I can’t believe how lucky I was to find the perfect torso when I dropped the girl who gave me your hands.

Melvin finishes sewing up. He then stands and looks at his work. Melvin smiles big.

MELVIN (CONT’D)

Perfect. I’ll be back. I have a feeling that tonight is the night.

Melvin keeps the big and creepy smile on his face. He turns around and walks off.

ON THE ALMOST COMPLETE BODY - It lies on the table.

CUT TO:

INT. S.F.P.D. - MAIN ROOM - DAY

Junior is studying the case at his desk. He seems focused on that.

OFF TO RAY - He walks over to Junior’s desk.

RAY

Mitchell?

Junior looks at Ray.

RAY (CONT’D)

You won’t believe what I’ve found.

Ray puts a file on Junior’s desk. Junior opens the file and has a look at it. His expression horrifies as he realizes what’s in there. Junior looks up at Ray.

JUNIOR

Is this true?

Ray nods.

RAY

Detroit. Two months ago. A woman. Two legs missing from the corpse. In LA it happened two weeks ago. This time the two arms were missing from the corpse.

JUNIOR

(reading from the documents)

Last week, San Diego. No foot.

Ray nods.

RAY

It’s like this guy is taking feminine women’s body parts to build the perfect woman.

Junior stands.

JUNIOR

It might be his motivation. Maybe he lost someone and is trying to ---

RAY

Re-built her? That’s crazy.

JUNIOR

Yeah, well, you’ll be amazed at how people can be crazy.

RAY

Well, we gotta find this mad killer. If he’s re-building a female body then ---

JUNIOR

He’s gonna need a head.

Ray nods. Both of them stare seriously at each other.

CUT TO:

INT. S.F.P.D. - LAB - DAY (SHORTLY AFTER)

The walls of this room are made of glass. Zoe is there staring seriously at the computer screen. She realizes something.

ZOE

Of course!

OFF TO THE ENTRANCE - Junior comes in.

JUNIOR

We believe the Mad Killer is going for a head next.

Zoe looks up at Junior and stands.

ZOE

He might.

JUNIOR

Do you know anything else?

Zoe joins her hands together eager to reveal her discovery.

JUNIOR (CONT’D)

What?

ZOE

I believe magic is involved somehow.

JUNIOR

We are not sure of that.

Junior glances at the outside, making sure no one has heard what Zoe said. He closes the door.

JUNIOR (CONT’D)

It’s not because we are witches that every crime in town is related to magic.

ZOE

This one is and I’m pretty sure of that. I found something in common with both victims.

Junior shoots her a look encouraging her to continue.

ZOE (CONT’D)

I found another mark. It wasn’t visible in plain sight. I use a UV light on their arms and found a nightclub mark inside the forearm.

Zoe points to her forearm to show him.

ZOE (CONT’D)

Here. Nightclubs marks their customers here. It’s better cause it goes unnoticed once inside the club.

JUNIOR

Yeah, but the marks disappear when washed, just like the ink ones.

ZOE

Indeed. But those weren’t washed. That’s why I found it.

JUNIOR

Right. Any idea which was the nightclub?

Zoe smiles big.

ZOE

Oh, I do.

Zoe keeps smiling while Junior waits for the answer.

JUNIOR

Are you going to tell me any time soon?

Zoe motions him to approach and points to the computer screen. Junior looks at the computer screen and ---

ON COMPUTER SCREEN - The club mark is visible on the inside of a forearm. BEAT. It’s P3’s logo mark.

Junior gazes at Zoe.

JUNIOR (CONT’D)

P3?

ZOE

Magic troubles tent to find you guys.

ON JUNIOR - He is astonished.

Junior glances again at the computer screen.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY

Tamora, Pandora and Prue are there. While the twins are focused on finding the symbol in the Book of Shadows, Prue walks back and forth holding her phone and staring at the screen.

PANDORA

(turning pages in the book)

Are you sure the symbol is here? ‘Cause I haven’t found it.

TAMORA

We need to look closely. Orotoros must be somewhere.

PANDORA

It’s otrontobo.

Tamora shoots Pandora a look. Then Tamora glances at Prue who seems worried.

TAMORA

Prue?

PRUE

Ouroboros.

PANDORA

That’s what I said, Ouroboros.

TAMORA

(to Prue)

Are you planning on opening that whole any time soon? This house can really use a change of decor.

Pandora looks at Prue too. Prue stops and stares at them.

PRUE

What?

TAMORA

Why are you worrying?

PRUE

Oh, wait, let me see. I have a brother who’s also a half-demon. My dead manager is back but in a fake kinda way and she’s taking care of my bar. My husband and his brother fought badly ---

(wide arms)

Need more?

Tamora walks over to Prue.

TAMORA

You need to relax.

PRUE

I can’t relax. On top of everything, I ---

(sighs)

You’re right. I need to focus on this.

TAMORA

What were you going to say?

PRUE

Nothing important. Have you seen Sebastian?

TAMORA

Wyatt asked me the same last night.

PRUE

Have you?

TAMORA

No. He’s busy with charges. Why?

PRUE

(disguises)

Let’s go back to the Ouroboros, so I can get to my bar.

Prue walks over to the BOS. She waves Pandora to move apart.

PANDORA

Be my guest.

Prue starts turning pages until she finds it.

ON BOOK OF SHADOWS’ PAGE - It shows the symbol of Ouroboros.

Tamora walks over to the BOS.

PRUE

Here.

Tamora and Pandora have a look at the page.

PRUE (CONT’D)

(reading)

'It’s an ancient symbol depicting a serpent or dragon eating its own tail. The ouroboros is often interpreted as a symbol for eternal cyclic renewal or a cycle of life, death, and rebirth.'

Pandora cheeks her phone.

PANDORA

Yeah. That’s the symbol.

PRUE

Wait, what is this about? Why are you looking for this?

PANDORA

Damn, you are not really focused on this.

TAMORA

We told you already, Prue. There’s a freaky serial killer in town and he or she is marking the victims with that symbol on their foreheads.

Prue glances from one to another.

PRUE

It’s magic related to this?

TAMORA

We don’t know. But magic or no magic, this freak has to be stopped.

(pauses)

At any cost.

Prue stares seriously at Tamora. Then Prue nods.

PRUE

At any cost. Of course.

OFF TO THE ENTRANCE - Junior walks in.

JUNIOR

We need to move fast.

The three women look at Junior.

JUNIOR (CONT’D)

It will go for a head next and I might have an idea where he’s going to get it from.

Tamora and Pandora glance at each other. Prue and Junior stare seriously at each other.

CUT TO:

EXT. SAN FRANCISCO - DAY / NIGHT

FOOTAGE all over the town.

CUT TO:

INT. WHITE MANOR - ENTRANCE - NIGHT

SOUND - DOORBELL.

Colton comes downstairs and walks over to the front door. He’s complaining.

COLTON

Why did I have to dismiss all the employees for the night?!

Colton opens the front door and ---

BEAT. Charlotte stands there. Colton is surprised.

COLTON (CONT’D)

(smiles)

Sister!

CHARLOTTE

I’m not your sister.

COLTON

There’s a DNA test that proves you wrong.

CHARLOTTE

I don’t care about the DNA test. You are not part of my family. You don’t deserve it.

COLTON

You don’t know me, sis.

CHARLOTTE

And I don’t want to. That’s why I’m here.

Colton stares seriously at her.

COLTON

Why are you here, sis?

Charlotte reaches out her hands and stares seriously at Colton. He looks at her hands and then looks her in the eyes.

COLTON (CONT’D)

(smirks)

Do it.

Charlotte’s cheeks get red.

COLTON (CONT’D)

C’mon. Do it!

Charlotte seems to be fighting a battle inside of her. To do or not to do.

COLTON (CONT’D)

(out loud)

DO IT!

CHARLOTTE

(lowers her hands)

I can’t!

Charlotte drops some tears. Mad to herself for not being able to.

CHARLOTTE (CONT’D)

I can’t.

Both of them stare at each other. Colton walks over to her and grabs her arms.

COLTON

You can’t because deep down you know our blood is the same.

CHARLOTTE

You’ll never be a Halliwell.

COLTON

I already am, sis.

(smirks)

Our mother has given me her name.

Colton lets go of Charlotte who can’t believe what he said.

COLTON (CONT’D)

(wide arms)

I am a Halliwell now. Of blood and name.

CHARLOTTE

My mother ---

COLTON

Our mother. Yes, in my birth certificate she comes up now as my biological mother.

(smirks)

She didn’t tell you?

Charlotte is mad and disappointed. She feels betrayed. She turns around and walks out immediately.

COLTON (CONT’D)

(out loud)

I’m a Halliwell now, sis. Whether you like it or not.

Colton laughs as he closes the door. He turns around and gets serious.

OFF TO THE SERENA - She stares at him from the staircase.

COLTON (CONT’D)

Love.

SERENA

She came here to vanquish you.

COLTON

And she couldn’t. She doesn’t have it in her. But she surprised me, I gotta tell you. For a moment, I thought she would do it. But no ---

Serena walks over to him and both stand in front of each other.

COLTON (CONT’D)

She doesn’t have it in her. Now, Prue ---

(smirks)

--- she would.

SERENA

Do you think she would?

COLTON

Yeah. I believe so. She hasn’t tried it, but I’ve seen it in her eyes. But she won’t.

Serena grabs Colton’s arm and lifts up the sleeve.

SERENA

What about this?

Colton looks at his arm.

COLTON

Mother is trying to find out what’s this.

Serena and Colton look at each other.

COLTON (CONT’D)

Now, let me go. In a couple of days, I’ll become the Source and I need to be prepared.

Serena nods. Then Colton FLAMES out. Serena is left there. She is serious.

SERENA

For better or worse.

Serena sighs.

CUT TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

OVER BLACK.

FADE IN:

EXT. P3 - NIGHT

FOOTAGE at the entrance as people are lining up to enter the club. The music can be heard from the inside.

CUT TO:

INT. P3 - PRUE’S OFFICE - NIGHT

Prue, Tamora, Pandora, and Junior are there. They are staring at each other.

JUNIOR

So, everybody must be open-eyed ‘cause this freak can and will strike again.

TAMORA

What if he goes to another place?

PANDORA

You’re assuming it's a he.

JUNIOR

He’s picking women's body parts. I assume is a he too.

Prue seems to be distracted.

JUNIOR (CONT’D)

Last night, you were here, right?

Tamora and Pandora nod. They look at Prue.

TAMORA

Prue?

JUNIOR

You were here last night.

PRUE

I was.

JUNIOR

The killer was here last night too.

Junior takes his smartphone from his pocket and then hands it to Tamora.

JUNIOR (CONT’D)

These are the girls. Do you remember any of them from last night?

Tamora and Pandora have a look at the photo on Junior’s phone and shake their heads.

TAMORA

No. But I was mostly at the bar. So ---

PANDORA

I can’t remember either. It was crowded last night.

Tamora hands the phone to Prue.

TAMORA

(to Prue)

You won’t probably recognize them either. You were so distracted last night.

Prue takes the phone and has a look at the photo. She stares at one of the photos longer than the other.

JUNIOR

Prue?

PRUE

I’ve seen this girl before. Last night. She was with a guy.

Prue hands the phone to Junior.

PRUE (CONT’D)

She had a lot of margaritas, but he seemed never to touch his.

JUNIOR

Do you remember his face?

Prue shakes her head.

PRUE

As they said, I was distracted. I remember her face because she seemed kinda fascinated with the guy.

PANDORA

Only to have her hands taken.

JUNIOR

Well, let’s go. We should stay alert. Got the earbuds on?

They nod.

JUNIOR (CONT’D)

Great. Let’s go.

The four of them start heading out of the office when the door opens. Wyatt is about to come in.

WYATT

Hey!

Junior, Tamora, and Pandora say hello to Wyatt and walk out. Wyatt looks at Prue.

WYATT (CONT’D)

What’s going on?

PRUE

Demon, warlock, whatever. Apparently, two victims were here last night before this freak got them.

WYATT

Here?

Prue nods. They walk toward each other and kiss.

PRUE

We are going to catch this freak. Did you and Chris talk?

WYATT

He doesn’t want to listen to me. I thought he would be here, but ---

PRUE

He hasn’t shown up tonight.

WYATT

I saw Bianca’s doppelganger outside. She seems to be doing well.

PRUE

Yeah, the solution to my problems.

WYATT

You are not really thinking of supporting Chris in this madness, are you?

Prue looks seriously at Wyatt.

WYATT (CONT’D)

Prue! That’s not Bianca.

PRUE

I know, but ---

WYATT

No. Okay, making that woman real can’t even be a possibility.

PRUE

I know, honey, it’s just ---

(sighs)

You know what? There’s an evil freak we must catch. Then we’ll deal with Mrs. Wright.

Wyatt nods.

PRUE

The kids?

WYATT

Auntie Mel.

PRUE

Well, at least she’s rehearsing to be a mother.

Wyatt laughs. The two of them walk off.

CUT TO:

INT. P3 - DANCING FLOOR / BAR / ENTRANCE STAIRCASE - NIGHT

The music is pumping. People are dancing. Bianca seems to be doing well. She is at the bar preparing drinks nonstop and she seems like a pro. Junior, Tamora, and Pandora walk over to the bar glancing around and scanning the place.

OFF TO THE ENTRANCE STAIRCASE - Melvin walks in and glances around. Maybe trying to find his next victim. And there ---

It seems like he has found her already. THE CAMERA FOLLOWS MELVIN’S GAZE right up to Bianca.

ON BIANCA - She smiles as she serves drinks to a few customers at the bar.

ON MELVIN’S FACE - He smirks.

CUT TO:

EXT. SAN FRANCISCO - NIGHT

AERIAL FAST MOTION FOOTAGE.

CUT TO:

INT. MELINOE’S PENTHOUSE - OPEN SPACE LIVING ROOM / KITCHEN - NIGHT

The lights are off. There are big windows and glass walls that allow us to have a great view of the city.

Melinoe stands near one of the windows staring at the city outside. It seems like the old ways of wearing a long gown and capes are gone. Melinoe wears a short black dress and holds a glass of wine. She sips her wine.

ON MELINOE’S FACE - She smirks.

MELINOE

On Earth or hell, you know how to smell good.

Melinoe turns around. Ithuriel, wearing an elegant navy blue suit, stands staring at her. He smirks and walks over to her. He takes the glass from her and sips the liquid himself.

ITHURIEL

On Earth or hell, you always had a good taste for wine.

Melinoe smirks.

ITHURIEL (CONT’D)

I’ve been down there.

(hand her the glass)

It seems like your son’s coronation is approaching. The Underworld is moving to support the next leader.

MELINOE

The rightful one. The heir. Finally.

Ithuriel gives his back to her and walks away.

ITHURIEL

There’s something that has been on my mind, darling.

Melinoe walks over to him. On her way to him, she puts the glass on the coffee table.

MELINOE

What is it?

Ithuriel turns to her.

ITHURIEL

You mentioned that Colton is a Twice Blessed child.

Melinoe nods.

MELINOE

That’s correct.

ITHURIEL

I know the prophecy only speaks of two Twice Blessed witches, darling. Two.

Melinoe smirks.

MELINOE

Well, I can assure you I didn’t provoke Colton’s birth.

ITHURIEL

What does that mean?

MELINOE

It means that he was born on the same day and at the same time as Wyatt. Did you know that he was also conceived on the same day as Wyatt?

ITHURIEL

Where does that leave the other one?

(pauses)

Prue?

MELINOE

She could’ve been dead by now. At least I tried. Anyway, I don’t know. I don’t know how it works. I just know that Colton is a Twice Blessed just like the other two.

Ithuriel is thoughtful.

MELINOE (CONT’D)

Why are you so interested, darling?

ITHURIEL

Well, I must. Colton is your son and therefore mine too.

MELINOE

(smiles)

I think it’ll be a little complicated to explain to him why he wasn’t raised by you.

ITHURIEL

Life on Earth can be overwhelming nowadays.

MELINOE

Do you really want to help me return to Inferno?

Ithuriel cups Melinoe’s cheeks between his hands.

ITHURIEL

You are the heiress, aren’t you?

MELINOE

My father claims I’m not.

ITHURIEL

Your father has been deceived. I’m sure he’ll see the truth.

MELINOE

I don’t want him to see the truth.

Ithuriel stares at her seriously.

MELINOE (CONT’D)

I want him to pay for humiliating me. For casting me out of my home.

In Melinoe’s eyes can be seen pure hate.

MELINOE (CONT’D)

I want him on his knees asking for forgiveness. And I want to stand and look at him and see his reaction when I send him to the pit as any other demon.

(smirks)

What bigger humiliation than a God forced to live among demons as one of them. The pit is my punishment for him. And the worse.

(pauses)

I will release the prisoners on this precious Earth.

Ithuriel gets serious at the sound of Melinoe’s words.

MELINOE (CONT’D)

Are you with me on this, ---

(pauses)

--- darling?

Ithuriel thinks before answering. Then he gets closer to her and pulls her closer.

ITHURIEL

Always.

Ithuriel leans to kiss her. They kiss passionately.

CUT TO:

INT. UNDERWORLD - SOURCE’S CAVE - NIGHT

Colton FLAMES in followed by Bak who SHIMMERS in. Colton turns to Bak and evil smiles.

COLTON

How are we with the confirmations?

BAK

Many factions have dropped the will to lead. They are ready to welcome you as the new Source. Now with the Halliwell in your name ---

(evil smiles)

Well, it’ll be interesting. A Halliwell ruling down here.

Colton turns around and walks over to the throne chair. He sits there and then takes a moment to feel the power of the throne. Then Colton looks at Bak.

COLTON

Down here is not enough.

Bak smiles as he knows what Colton means.

COLTON (CONT’D)

I want it all.

BAK

You shall have it. This might be the first time in history that we have such a powerful leader.

COLTON

What about my sister and her husband?

BAK

(sarcastic laughs)

They weren’t truly evil. She wasn’t truly evil. If they were, things could be better for us. The Twice Blessed witches ruling us.

COLTON

(smirks)

The Twice Blessed witches can rule again.

Bak shoots Colton a look not understanding what he means.

BAK

You want them to ---

Colton raises a hand to make him stop.

COLTON

Not them.

(stands)

Soon, my demon friend, you’ll know what I mean.

(pauses)

And so we’ll them.

ON COLTON - An evil smile covers his face.

CUT TO:

INT. P3 - DANCING FLOOR / BAR - NIGHT

The music is pumping and people are dancing. Everybody seems to be enjoying themselves. Junior, Tamora, and Pandora wander around serving customers drinks and paying attention to everything.

Bianca is inside the bar preparing drinks. Prue is by the counter staring at Bianca as she puts some drinks on a tray. Bianca smiles at Prue.

PRUE

You’re natural on this.

BIANCA

(smiles)

Thanks.

Wyatt approaches them and lands a tray on the counter.

WYATT

Two vodka martinis, Bian ---

Wyatt stops. He stares at Bianca as Bianca smiles at him.

BIANCA

That’s my name, Wy.

Bianca keeps preparing drinks. Prue and Wyatt glance at each other.

WYATT

Anything?

PRUE

(shakes her head)

Not yet. All quiet.

THE CAMERA MOVES slowly towards Melvin who’s by the counter. He’s having a drink just like other customers there, but his glass is almost full yet. He, disguisedly, shoots glances at Bianca every now and then.

Bianca puts a couple of glasses on Prue and Wyatt’s trays.

BIANCA

You two are good to go.

Wyatt and Prue stare at her and force a smile. Then they take the trays and walk away to serve the drinks to the customers. Bianca stays there. She glances at Melvin who looks at her and smiles.

BIANCA (CONT’D)

Another beer?

(looks at Melvin’s glass)

Oh, you haven’t finished!

MELVIN

I’m not used to alcoholic drinks.

Bianca shoots him a smile.

BIANCA

Oh, okay. Can I then show you one of my specialties?

Melvin smiles.

BIANCA (CONT’D)

It’s perfect for pregnant women.

Bianca starts preparing a drink.

MELVIN

(staring seriously)

I’d love to.

Bianca smiles at him and then focuses on the preparation of the drink while he stares at her seriously.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT

Chris is there in front of the Book of Shadows. He’s flipping pages and taking notes into a notebook. He seems very focused on it.

OFF TO THE ENTRANCE - Melinda walks in kinda confused.

MELINDA

I thought I had shut down the ---

Melinda realizes Chris is there. Chris looks at her.

MELINDA (CONT’D)

--- lights. Chris!

Chris takes a deep breath.

CHRIS

I’m not here to fight, Mel.

MELINDA

Good, because I hate fighting. So, what’s up? Came to take your kids home?

Melinda walks over to him and looks at the Book of Shadows. Melinda forces a smile.

MELINDA (CONT’D)

Finding a way to turn the doppelganger into a real woman?

(sarcastic)

What is she made of after all? Wood?

Chris shoots her a look. He’s not pleased with her sarcasm. Melinda realizes she has been cruel.

MELINDA (CONT’D)

Sorry, that was insensitive.

CHRIS

No kidding!

Chris gets back to the Book of Shadows.

MELINDA

Chris, you are not seriously thinking ---

CHRIS

(cuts her off)

I am.

(looks at her)

You don’t know how it is, Mel.

MELINDA

Then tell me. I’m here. I’ve been here all this time. Open to listening to you.

Chris’ eyes get wet.

MELINDA (CONT’D)

I’m your sister, Chris, and I love you, but I hate seeing you suffering.

CHRIS

My suffering will have an end. As soon as I turn Bianca real.

Chris walks away from her. Melinda takes a deep breath. Then she looks at him.

MELINDA

She was real once, Chris. If you do this, it won’t be her. Not for real. She won’t have a soul.

Chris looks at her.

MELINDA (CONT’D)

If it only was that simple. But Bianca’s soul has moved on. This Bianca is not real and she’ll never be even if you turn her into a real person.

Chris drops a tear.

CHRIS

I can’t ---

He feels it hard to talk.

CHRIS (CONT’D)

I don’t know how to do it without her.

Melinda rushes to him and hugs him tight.

MELINDA

I know, honey, but ---

(looks at him)

--- you have two beautiful children. They’ll help you.

Melinda cups his brother’s cheeks.

MELINDA (CONT’D)

You have to hold on to them. They will give you the strength you need to overcome this.

Chris drops another tear. His eyes are so wet.

CHRIS

I’ll never love again.

MELINDA

No. Brother, you can’t close yourself to love.

CHRIS

If it’s not Bianca ---

MELINDA

I know she was your true love, but she wants you to move on. For real and not with a fake version of herself.

Chris steps back.

CHRIS

I’m doing it, Mel. Period. I can’t do it without Bianca, so ---

MELINDA

And you’ll condemn that poor, ---

(waves her hands)

--- whatever she is, into a soulless life?

Chris stares at her for a few seconds and then rushes back to the Book of Shadows.

CHRIS

I’ve made up my mind.

Chris turns pages and then takes his notebook and writes something there.

Melinda stares seriously at him and then she exhales. Melinda turns around and walks out of the attic.

Chris then takes his sight from the notebook and the Book of Shadows. Deep down, he knows she’s right. Chris sighs.

CUT TO:

INT. HALLIWELL MANOR - 1ST FLOOR CORRIDOR - NIGHT (CONTINUOUS)

Damon stands outside the nursery.

OFF TO MELINDA - She comes from the attic and stops as she sees him there.

MELINDA

This is what I’m afraid of. This is ---

Her eyes get wet. She feels it hard to breathe.

MELINDA (CONT’D)

--- this is what I don’t want.

Damon rushes to her.

MELINDA (CONT’D)

I don’t know what I would do if ever lose you.

DAMON

Oh, Mel.

Damon hugs her tight.

MELINDA

I know I tell him to move on, but I can’t stop thinking what if it was me.

Damon and Melinda look each other in the eyes.

MELINDA (CONT’D)

What would I do if I ever lose you?

DAMON

You won’t.

MELINDA

Oh, Damon!

Damon wraps her arms around her trying to comfort her. She starts crying hard. Damon hugs her tight.

CUT TO:

INT. P3 - STORAGE ROOM - NIGHT

THE MUSIC CAN BE HEARD FROM THE OUTSIDE.

The door opens. Bianca comes in and turns on the light. She glances around.

BIANCA

Okay, Bianca thinks, where’s the Blue Coraçao?!

(sighs)

They’ve changed the disposal here.

Bianca walks in and starts looking for what she wants.

SOUND - DOOR CLOSING.

Suddenly, Bianca turns around. Her heart jumping. And then, from behind her someone covers her mouth with a cloth. Bianca struggles to get rid of her captor, unsuccessfully. She faints. Melvin takes her into his arms.

MELVIN

It’s close now, my love.

He stares sweetly creepy at Bianca. Then he BLINKS out taking her.

CUT TO:

INT. P3 - DANCING FLOOR - NIGHT (LATER)

THE MUSIC IS still pumping. People continue dancing. Wyatt is inside the bar serving drinks to a few customers. One of the employees approaches the counter. She puts a couple of Blue Coraçao bottles on the counter.

EMPLOYEE

Wyatt, here it is.

Wyatt glances at the employee.

WYATT

Have you found Bianca? She was supposed to get this.

The employee shakes her head.

EMPLOYEE

She wasn’t there. But someone was. The light was on when I got in.

Wyatt takes the bottles and hands her a tray with a few drinks.

WYATT

Table 2, VIP area.

The employee nods and takes the tray. Wyatt glances around. He then disguises and starts talking to the earbuds.

WYATT (CONT’D)

Guys, has anyone seen Bianca?

The following conversation happens through earbuds.

THE CAMERA moves to Tamora who has just dropped a few drinks on a table and glances at the bar.

TAMORA

You mean the doppelganger?

WYATT

That one.

PANDORA

It’s amazing how we can listen clearly on those things.

JUNIOR

Magical enchanted, sis.

Junior and Pandora are one across the other on the dance floor.

WYATT

Guys! Bianca.

Junior and Pandora glance around.

PANDORA

It’s been a while since I last saw her.

THE CAMERA MOVES TO Prue. She walks up to the stage and glances around.

PRUE

She’s not on the dancing floor.

WYATT

I think we’ve got a problem.

TAMORA

Do we? It’s not like she’s real.

WYATT

(mad)

Tam!

TAMORA

Sorry!

PRUE

He took her.

Prue comes down the stage and walks over to the bar. Junior, Tamora, and Pandora walk over to the bar as well. Prue walks inside the bar and starts looking for something.

PRUE (CONT’D)

I need to ---

Prue starts getting nervous. Wyatt looks at her as she seeks everywhere for something.

PRUE (CONT’D)

I need something from her.

WYATT

Honey?

Junior, Tamora, and Pandora look at her.

PRUE

I need ---

WYATT

Prue?

Prue looks at Wyatt. She starts breathing fast.

PRUE

I need to have a vision.

WYATT

You can.

PRUE

No. I need to touch something.

WYATT

You don’t.

Prue doesn’t listen to him and starts touching every glass, every bottle... trying to get a premonition.

PRUE

I can’t lose her. Not again.

Junior, Tamora, and Pandora look at Prue.

WYATT

Prue?

Prue doesn’t turn to him. Wyatt grabs her arms and forces her to look at him.

WYATT (CONT’D)

(rude)

Put yourself together.

They stare at each other. Prue’s eyes start getting wet.

WYATT (CONT’D)

Just have a vision. You can.

Prue stares at Wyatt who keeps his eyes on her.

WYATT (CONT’D)

Remember who you are. You can do it.

Prue starts getting calmer. She tries to calm down. Wyatt lets go of her. Prue glances around. Wyatt stares at her and so do Junior, Tamora, and Pandora. Prue takes a deep breath.

PRUE

I can do it.

Prue closes her eyes and takes a deep breath.

ON PRUE’S FACE - She opens her eyes and as soon as she does, she’s taken into an ASTRAL PREMONITION.

FLASHES TO:

INT. HOUSE - DARK ROOM - NIGHT (ASTRAL PREMONITION)

Prue is there between the two tables. She glances around and gets horrified as she realizes where she is.

Prue sees the table where the body parts are. Prue is horrified at it. She covers her mouth.

SOUND - Someone entering the room.

Prue turns around and sees Melvin walking into the room. He holds a huge meat cleaver knife. Prue looks as he approaches the other table where ---

Prue’s eyes go wide as she realizes Bianca is lying on the other table. Her hands are tied and she has the Ouroboros symbol on her forehead.

PRUE

Bianca?

Melvin stops beside the table and stares at Bianca’s face.

MELVIN

It’s close, my love. Soon, we’ll be together. The spell is ready and I can’t wait to have you in my arms.

Prue is horrified. Melvin raises the knife ready to strike ---

PRUE

No. No.

She shouts out loud. And ---

END OF THE ASTRAL PREMONITION.

FLASHES TO:

INT. P3 - BAR / DANCING FLOOR - NIGHT

Prue comes from the ASTRAL PREMONITION with a loud scream. The MUSIC STOPS and everybody there stares at where the scream came from.

Wyatt approaches Prue from behind. He grabs her arms trying to make her stand still.

WYATT

Did you see her?

Prue nods. She’s nervous.

WYATT (CONT’D)

Let’s find her.

Wyatt looks at Junior, Tamora, and Pandora and nods. Wyatt takes Prue out of the bar. Tamora turns to the DJ.

TAMORA

Play the music, DJ.

The DJ on the stage nods. And the music starts playing again. Junior, Tamora, and Pandora walk away from the bar.

CUT TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

OVER BLACK.

FADE IN:

INT. HALLIWELL MANOR - ATTIC - NIGHT

Chris is now by the table preparing some kind of potion. Wyatt ORBS in bringing Prue who seems shattered. Right after, Junior, Tamora, and Pandora ORB in as well. Chris looks at them. He notices they are worried about something.

CHRIS

What’s going on?

Prue looks at Chris.

PRUE

She --- she ---

Prue is unable to continue.

CHRIS

She what, Prue? What happened?

Chris is getting nervous.

JUNIOR

Bianca was taken.

Chris glances at them.

CHRIS

What?

Chris looks at Prue and Wyatt.

CHRIS (CONT’D)

You let her be taken?

WYATT

We are going to find her.

CHRIS

(mad)

Are you?

Chris raises his voice. They all look at Chris.

CHRIS (CONT’D)

She’s not real for any of you.

WYATT

(serious)

I said we are going to take her back. So, get yourself together.

Wyatt walks over to the Book of Shadows.

CHRIS

You don’t care about her.

Chris turns to Wyatt. They both look at each other. Rage in both their eyes.

CHRIS (CONT’D)

She’s not real, right? She’s not important. Doesn’t have a soul and never will.

WYATT

Chris ---

CHRIS

(out loud)

NO! You don’t care about her. You don’t care about me. You didn’t do anything to bring her back.

Chris’ eyes are wet.

CHRIS (CONT’D)

Almighty Wyatt Halliwell didn’t even move a finger to bring her back. And you let her be taken away.

ON PRUE’S FACE - Her eyes are wet. She starts crying.

OFF TO THE ENTRANCE - Melinda walks in ready to shut everyone down but stops as he sees what’s going on there. Damon also walks in.

CHRIS (CONT’D)

You let me suffer her loss and did nothing.

Wyatt’s eyes get wet also.

CHRIS (CONT’D)

You could have done something to bring her back. You know how much I need her. She was my life, Wyatt. My everything.

Chris’ eyes are red.

CHRIS (CONT’D)

And you’re gonna do the same now.

Both brothers stare at each other fixedly.

WYATT

I’m sorry. I’m really, really sorry.

Chris cries.

WYATT (CONT’D)

(walks over to him)

I should have traveled back in time and stopped it, but I couldn’t. I didn’t feel it was the right thing to do.

(pauses)

But you can’t blame me for not caring. All these months, I gave you space. I waited for you to come to me. Hell, I was ready to set hell on fire if you’d asked me to.

PRUE

It was my fault.

They all look at Prue. Prue looks at Chris.

PRUE (CONT’D)

I was the one who knew what was going to happen and I did nothing to stop it. I knew she was fated to perish the moment I learned she was pregnant and I did nothing.

(tears run down her face)

And then I sat and did nothing to bring her back. I did nothing. I am so ---

(swallows)

--- so sorry, Chris. I’m not almighty anymore. I’m sorry I let her go so easily.

They all stare at Prue.

PRUE (CONT’D)

But we still can save this Bianca.

Prue tries to get calmer.

PRUE (CONT’D)

Ouroboros. Rebirth. This man, a warlock. I’m pretty sure he’s a warlock. Evil. He wants to bring back his love.

JUNIOR

Did you see where he is?

Prue lowers her gaze. She then looks at Junior. 

PRUE

I know where he is. He paid with a credit card last night. I remember him from last night.

JUNIOR

Great.

Junior rushes out of the attic taking his phone from his pocket and dialing a number.

PANDORA

How do we vanquish him?

WYATT

With a spell.

CHRIS

Is she still alive?

Chris stares at Prue. Prue looks at Chris and nods. Wyatt puts a hand on Chris' shoulder. Chris looks at his brother.

WYATT

(to Chris)

Let’s go.

Chris nods. Both brothers rush out of the attic. Prue sighs. Melinda rushes to Prue and hugs her tight.

MELINDA

It’s not your fault.

Tamora, Pandora, and Damon stare at them.

CUT TO:

EXT. SAN FRANCISCO - NIGHT

AERIAL FAST MOTION VIEW all over the city.

CUT TO:

EXT. HOUSE - NIGHT

Wyatt, Chris, and Junior ORB in. They glance at the house.

WYATT

Is it here?

JUNIOR

Yeah. Only one payment with a credit card last night.

WYATT

Let’s go.

Wyatt moves towards the house’s front door. Chris and Junior follow. Wyatt, madly, kicks the front door which opens breaking into pieces. The three of them walk in.

CUT TO:

INT. HOUSE - DARK ROOM - NIGHT

ON BIANCA’S DOPPELGANGER - She lies down on the table.

Melvin stands next to the table. He holds the meat cleaver knife and is ready to strike.

ON BIANCA’S FACE - She opens her eyes and sees the knife ready to hit her. She screams out loud. Then ---

Melvin FLIES across the room.

OFF TO THE ENTRANCE - Wyatt, with his hands reached out, has just used TELEKINESIS on Melvin.

Chris rushes to the table and tries to get Bianca loose.

Melvin stands quickly and looks at them.

MELVIN

You should get out of here.

WYATT

You should never have come.

Melvin sees how Chris tries to get Bianca loose.

MELVIN

No. She’s mine.

Junior glances around.

CHRIS

She’s never been yours.

(waves his hand)

Never.

Melvin is THROWN away by Chris’ TELEKINETIC power.

BIANCA

Chris ---

CHRIS

You’ll be fine.

JUNIOR

The spell.

Wyatt and Junior get ready to cast the spell.

JUNIOR (CONT’D)

Chris?

Chris gets Bianca loose and helps her to stand. Melvin glances at them and WAVES his hands, a BEAM OF FIRE comes from it. Wyatt reaches out his hand and deviates it. The fire hits a wall.

WYATT / CHRIS / JUNIOR

(chanting)

'The Power of Three we now decree,

The Power of Three will set you free,

The Power of Three will destroy thee!'

Then, Melvin is suddenly surrounded by fire. Flames consume him entirely as Wyatt, Chris, Junior, and Bianca stare at it.

JUNIOR

Did we just use the Power of Three?

WYATT

We did. After all we are the Charmed Ones' sons.

Junior walks over to the table where all the body parts lay. Then he turns to the others.

JUNIOR

You guys should leave. I’m gonna have to find a way to explain this.

Wyatt nods. Chris hugs Bianca tightly.

CUT TO:

EXT. SAN FRANCISCO - NIGHT

AERIAL VIEW all over the city at the sound of ‘Train Wreck’ by James Arthur.

CUT TO:

INT. HALLIWELL / COOP MANOR - LIVING ROOM - NIGHT

MUSIC KEEPS PLAYING IN THE B.G.

Phoebe is sitting on the couch. She’s reading a book.

OFF TO THE ENTRANCE - Charlotte comes in.

MUSIC PLAYS LOWLY.

CHARLOTTE

Mom?

Phoebe looks up at Charlotte. She stands.

CHARLOTTE (CONT’D)

I hate that you hid it from us.

Phoebe sighs.

CHARLOTTE (CONT’D)

I hate that he exists. And I hate I wasn’t able to vanquish him.

PHOEBE

Sweetie.

CHARLOTTE

He’s my brother and I hate it.

PHOEBE

Oh, honey.

Phoebe rushes to her daughter and hugs her tight.

PHOEBE (CONT’D)

I am so sorry, honey. So, sorry.

Charlotte drops a tear. She hugs her mother back.

OFF TO ANOTHER ENTRANCE TO THE LIVING ROOM - Cassandra stands staring at them. She’s serious. Then she BEAMS out.

CUT TO:

INT. MAGIC SCHOOL - MAIN HALL - NIGHT

MUSIC KEEPS PLAYING LOWLY.

Ella is sitting at a table. She’s thoughtful.

OFF TO CASSANDRA - She BEAMS in front of Ella.

Ella looks at Cassandra.

CASSANDRA

Do you have what I asked you?

Ella nods.

ELLA

Are you going to tell me why you need protection amulets?

CASSANDRA

It’s not for me. I can tell you that.

Ella and Cassandra look at each other for a few seconds and then Ella takes a book and hands it to Cassandra.

ELLA

There are tons of them there.

Cassandra half-smiles.

CASSANDRA

Thank you.

They smile at each other.

CUT TO:

INT. HALLIWELL MANOR - NURSERY - NIGHT

MUSIC KEEPS PLAYING LOWLY.

Melinda and Damon watch over the kids as they sleep tight. Then Melinda looks at Damon and smiles.

MELINDA

Better to have loved and lost than never to have loved at all.

Damon looks at her.

MELINDA (CONT’D)

I can’t imagine my life without you. But I can’t also imagine a life where I keep myself from truly feeling and living what we have.

Damon smiles and puts an arm over her. He kisses her forehead.

DAMON

I love you.

MELINDA

And I love you.

Melinda leans her head on his shoulder. They keep staring at the kids.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT

MUSIC FADES OFF.

Chris is there finishing the potion.

OFF TO THE ENTRANCE - Wyatt walks in and looks at his brother.

WYATT

Chris?

CHRIS

If you’re here to talk about Bianca ---

WYATT

I’m not here to talk about Mrs. Wright.

Chris looks at Wyatt.

WYATT (CONT’D)

I’m here to talk about us.

Chris drops his walls and nods.

WYATT (CONT’D)

I’m sorry you felt that I had abandoned you.

(walks towards Chris)

I know I’ve should have done more, but ---

(sighs)

--- I really believe that she has moved on. But I should have known you haven’t.

CHRIS

It’s so hard.

WYATT

I know. And I’m here for you. If you want to make her real, then let’s do it.

CHRIS

Are you serious?

WYATT

I’m here for you, brother. Always and forever.

Chris smiles and nods.

CHRIS

Thanks.

Wyatt nods.

CHRIS (CONT’D)

And I’m sorry too, Wy. I ---

(takes a deep breath)

--- I know you’ve been through some hard times as well. We all have.

Wyatt nods.

CHRIS (CONT’D)

I want you to know that you can count on me to find out what’s going on.

WYATT

Thank you.

Chris reaches out his hand. Wyatt looks at it. Then Wyatt reaches out his hand and both shake hands. Then they pull each other into a brotherly hug. They smile.

OFF TO THE ENTRANCE - Bianca comes in. She stares at them and smiles.

Bianca clears her throat. Chris and Wyatt part.

CHRIS

Babe! The potion is almost ready.

BIANCA

(forces a smile)

Can we talk first?

Chris and Wyatt glance at each other. Then Chris nods.

CUT TO:

INT. WHITE MANOR - ENTRANCE - NIGHT

Colton FLAMES in. He’s about to walk upstairs when ---

SOUND - DOORBELL.

Colton turns around, grimaces, and then walks over to the front door. He opens it and ---

BEAT. Prue stands there. They look seriously at each other.

COLTON

Little sis.

PRUE

I’m not little.

(pauses)

But I’m your sister.

Colton smirks.

COLTON

Good to know. Isn’t it late for you to be here? Couldn’t wait to visit your brother, huh?

Prue steps in.

PRUE

I could. But I didn’t want to.

(smiles)

Welcome, brother.

Colton and Prue are face to face. Really close. Staring into each other’s eyes.

PRUE (CONT’D)

Welcome to the family.

COLTON

Well, thank you, ---

(pauses)

--- sis.

PRUE

Can I give a hug to my big brother?

Colton smiles big.

COLTON

Of course.

Colton wide opens his arms. Prue smirks. She opens her arms too and both hug each other. Prue puts her arms on his back, yes, trying to have a vision, unsuccessfully.

ON COLTON - He smirks. He knows what she’s trying to do.

They pull apart and stare at each other.

COLTON (CONT’D)

Want to come in?

Prue half-smiles.

PRUE

It’s late. I should go home. But we’ll have time to ---

(pauses)

--- talk.

COLTON

I can’t wait.

Prue smiles one last time and then turns to leave. Colton closes the door after she’s gone. Then, he turns around and smirks. He’s about to walk upstairs, but stops ---

Serena is coming downstairs. She stares at Colton.

SERENA

Do you believe her?

COLTON

(smirks)

She’s my sister. Of course, I don’t.

SERENA

She will find out. You know that. She’ll find out that you are going to become the Source of All Evil. It’s a matter of time.

COLTON

She will. But then it’ll be too late to stop me.

Serena lowers her gaze.

SERENA

Is it really necessary?

(looks at him)

For you to become evil? You were good.

Colton walks over to Serena.

COLTON

That was before I found out my own family gave me away. Besides, I am evil already, honey. I’ve crossed the line.

They are close to each other.

SERENA

(nervous)

You did, didn’t you? Did you kill all those people? The Golden Masked Demon?

Colton smirks. He leans to whisper in her ear.

COLTON

You whether are with me or against me, love.

They look at each other.

COLTON (CONT’D)

Make up your mind.

SERENA

I’m with you. I love you and I’m with you.

Colton smirks.

COLTON

Good. Because soon, the entire magical community will be at my feet.

Serena nods. Colton reaches out his hand for her to hold it. She does. Then both of them walk upstairs.

CUT TO:

INT. S.F.P.D. - MAIN ROOM - NIGHT

Junior is at his desk.

OFF TO ZOE - She walks over to Junior’s desk.

ZOE

Well done, Mitchell.

Junior glances at her.

JUNIOR

It’s definitely easier with you here.

ZOE

(smiles)

I know. As long as we can cover our tracks.

Junior smiles.

JUNIOR

Go home, Zoe.

ZOE

(walks away)

You too, Mitchell.

Junior smiles as Zoe leaves the room.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT

Chris and Bianca stand staring at each other.

CHRIS

Honey, you haven’t said what you wanted to talk to me about.

Bianca smiles.

CHRIS (CONT’D)

The potion is ready and I can turn you real. We must rush. It’s only a few minutes before you ---

BIANCA

(cuts him off)

I don’t want to, Chris.

Chris looks at her. He’s surprised.

CHRIS

What?

BIANCA

I’m not her.

CHRIS

Of course, you are. You have her memories, her voice. Her face.

BIANCA

Indeed. But I don’t have her soul. I never will. She’s moved on. So, should you.

CHRIS

(approaches her)

Bianca, I ---

BIANCA

I never felt more alive than ---

(sarcastic smile)

--- well, ever. But I’m not real.

Chris lowers his gaze.

BIANCA (CONT’D)

I don’t want you to stay stuck to a dream. You deserve to move on.

Chris looks at her.

CHRIS

I miss you so much.

BIANCA

You miss her. Not me.

Bianca grabs his hands.

BIANCA (CONT’D)

You deserve to be happy, Chris. But Bianca’s time on this plane has ended.

Chris’ eyes are wet.

BIANCA (CONT’D)

Be happy, Chris. I love you and I just want you to be happy. Do that for her.

Chris drops a tear. Bianca wipes it. She then kisses him softly.

CHRIS

I will always love you.

Bianca smiles.

BIANCA

Goodbye.

And then Bianca vanishes. Chris stares at the place she just was. He cries hard.

CUT TO:

INT. UPPER REGIONS - NIGHT

Sebastian rushes towards Fiona who is also rushing towards him.

SEBASTIAN

Fiona?

FIONA

It is time.

Sebastian is serious.

FIONA (CONT’D)

It is time for them to know what’s going on.

Both Sebastian and Fiona stare seriously at each other.

CUT TO:

EXT. HALLIWELL MANOR - FRONT PORCH - NIGHT

Music starts playing lowly, 'Perfect' by Ali Gatie.

Prue is sitting on the porch staircase. She’s thoughtful staring up at the sky.

OFF TO THE FRONT DOOR - Chris comes out of the manor. He sees Prue there. He lowers his gaze and then walks over to her.

Chris sits down beside her and looks at her seriously. Then he looks up at the sky.

CHRIS

It wasn’t your fault.

Prue looks at her cousin.

PRUE

I should have told you sooner.

CHRIS

We were busy trying to get our real lives back.

(pauses)

She has really moved on.

PRUE

Yeah, but now you can have her back.

Chris shakes his head.

CHRIS

No, I can’t. It wouldn’t be real.

Chris lowers his gaze.

CHRIS (CONT’D)

She left. For real. The doppelganger.

(sarcastic smile)

The real Bianca.

Prue grabs his hand.

PRUE

I’m so sorry.

CHRIS

No, Prue. It’s not your fault. Not mine. Not anybody’s. But I am sorry I left it on your shoulders. Taking care of my children.

PRUE

Ours. They are part of all of us. The five of them.

CHRIS

They are.

Prue’s eyes get wet, but she holds on the tears.

PRUE

I’m terrified, Chris.

CHRIS

Oh, Prue!

He puts an arm over her shoulder and pulls her close.

PRUE

I can’t lose my family and I’m pretty sure he’s up to no good.

CHRIS

Your brother?

Prue nods.

PRUE

I tried to have a vision from him. I couldn’t. I know he has something to do with the marks on Wyatt’s arm.

Chris makes her look at him.

CHRIS

If he tries something, we’ll fight back. As we always do.

PRUE

What if this time we are not enough?

Chris and Prue look seriously at each other. He cups her cheeks.

CHRIS

We are the damn Destined Ones. We have gone to hell and back several times. No matter how deep we’ll have to go, we won’t let anyone break this family.

(pauses)

I need you to believe that. Understood?

Prue nods.

CHRIS (CONT’D)

We are the almighty Destined Ones, okay?

Prue lets out a laugh.

CHRIS (CONT’D)

You are not weak. We are not weak. It won’t be easy, but we have each other. The Power of Nine, okay?

Prue nods.

PRUE

Look at us. Broken.

CHRIS

Broken, but Charmed, cous.

Chris puts an arm over Prue’s shoulder again. Both stare up at the sky.

THE CAMERA MOVES UP AWAY FROM THEM TOWARDS ONE OF THE FIRST FLOOR WINDOWS ---

CUT TO:

INT. HALLIWELL MANOR - WYATT & PRUE’S BEDROOM - NIGHT

MUSIC KEEPS PLAYING IN THE B.G.

Wyatt comes from the private bathroom, wearing only a towel. The marks on his arm are more visible now. Wyatt reaches out his arm and ---

ON WYATT’S ARM - The mark grows.

Wyatt stares at it astonished.

ON WYATT’S FACE - He is worriedly serious.

CUT TO BLACK.

END OF THE EPISODE